Category Archives: book theme movies

A Body in Motion by Kam Williams

Born in London on November 6, 1972, Thandie Newton is a consummate actress associated with riveting performances in everything from Beloved to Besieged to Crash. She will soon be seen in the independent film Vanishing on 7th Street where she stars opposite Hayden Christensen and John Leguizamo, and she is currently shooting the psychological thriller The Retreat with Cillian Murphy and Jamie Bell.  

Thandie won both a BAFTA and Screen Actors Guild Awards for her work in Crash, the Academy Award-winning Best Picture of 2006. She most recently appeared in 2012, a sci-fi flick which grossed in excess of $750 million at the box office worldwide. 

            Newton impersonated Secretary of State Condoleezza Rice in W. which was directed by Oliver Stone. Other films on her impressive resume’ include The Pursuit of Happyness, Run Fat Boy Run, The Truth about Charlie and Mission Impossible 2.  

            Here, she talks about playing Tangie in Tyler Perry’s screen adaptation of Ntozake Shange’s For Colored Girls, an ensemble drama co-starring Kerry Washington, Janet Jackson, Kimberly Elise, Loretta Devine and Phylicia Rashad.  

Kam Williams: Hi, Thandie, thanks for the time. The last time we spoke was when you were doing Run Fatboy Run.

Thandie Newton: [Sarcastically] Well, For Colored Girls is exactly like that one, isn’t it Kam?  

 

KW: [Playing along] Sure, the same storyline, and you’re even playing the same character. I want to get right to questions submitted by fans of yours. Children’s book author Irene Smalls asks what were your initial feelings about taking the role of Tangie?

TN: Terror. I was really terrified, because the film was so unlike anything I’d ever done before, because Tangie’s so unlike me, and because of the quiet, sensitive and grateful place I was in my life on a personal level. I knew I’d now have to go out and be this audacious, promiscuous character.

 

KW: But you killed in the role! You did it!

TN: You know what, my darling? I got into it. I pulled myself away from my place of peace and compassion. [LOL]

 

KW: Reverend Florine Thompson asks: Which character in For Colored Girls do you most identify with?

TN: Oh, goodness! Gilda, possibly. But, honestly, I identify with a bit of everybody.

 

KW: Editor/legist Patricia Turnier says: I think you’re a great actress! Is Tangie one of the more complex and challenging characters you’ve played?

TN: Absolutely! And I am so grateful for the opportunity to play her, because there are times when a character is uncomplicated and just about moving the story from A to B which makes me want to quit. As opposed to pieces like this where I get to play a real character. For Colored Girls has recharged my batteries for the next decade. It reminded me of what acting can be, how powerful a tool it can be, and how entertaining and provocative it can be for an audience. These types of roles don’t come along often, but I seem to get them at the right time, and then I decide not to throw in the towel.    

 

KW: FSU grad Laz Lyles asks: With a text this powerful, what was the self-discovery factor like? Were there any dormant traits that unexpectedly came to the surface?

TN: I found an uncompromising, dominating person that felt good, actually.  

KW: Attorney Bernadette Beekman says: I remember how moved I was after reading For Colored Girls when it was first published. Did the depicted slices of African-American women’s lives resonate with you even though you grew up in Cornwall as the daughter of a woman born in Africa?

TN: It’s funny, because I don’t feel like I’m playing an African-American, necessarily. I feel like I’m playing a human being with that specific accent, that’s all. And I feel that way with all the characters I play. My approach might be validated by my background in anthropology which I majored in at Cambridge. I learned there that when it comes to emotions, we all feel pain in the same way, everyone, whether you’re from Istanbul or Beijing. 

 

KW: Yale grad Tommy Russell asks: Is there a theatrical role you would love to play?

TN: I’m looking forward to playing Cleopatra, in Shakespeare’s Antony and Cleopatra, but not for another twenty years or so.

 

KW: Is there any question no one ever asks you, that you wish someone would?

TN: I’ll let you know when that question arises. I’m sure it’s out there, but I couldn’t put my finger on it right now.

KW: The Tasha Smith question: Are you ever afraid?

TN: Less and less as time goes by.

 

KW: The Columbus Short question: Are you happy?

TN: Yes.

 

KW: The Teri Emerson question: When was the last time you had a good laugh?

TN: Ooh, yesterday afternoon with my children in the back of a cab. One of them said something so dry and witty that I laughed until I had tears in my eyes.

 

KW: The bookworm Troy Johnson question: What was the last book you read?

TN: It’s called, “What to Look for in Winter,” by Candia McWilliam. http://www.amazon.co.uk/What-Look-Winter-Candia-McWilliam/dp/022408898X

 

KW: The music maven Heather Covington question: Who are you listening to on your iPod? 

TN: Right now, the group TV on the Radio.

 

KW: What is your favorite dish to cook?

TN: Banana bread.

 

KW: The Uduak Oduok question: Who is your favorite clothes designer?

TN: Nathan Jenden.

 

KW: When you look in the mirror, what do you see?

TN: My children.

 

KW: If you could have one wish instantly granted, what would that be for?

TN: That rape would no longer be used as a weapon of war.

 

KW: How can your fans help you?

TN: Aww, that’s a sweet question. By being honest… By having opinions… and by being adventurous about what they choose to watch, movie-wise.

 

KW: The Boris Kodjoe question: What do you consider your biggest accomplishment?

TN: My daughters, definitely.

 

KW: Have you ever wished you could have your anonymity back?

TN: It’s impossible. I don’t think anyone’s anonymous, anyway.

 

KW: Do you ever feel the pressure to not change creatively?

TN: No, I don’t. I’ve been fortunate not to have been pigeonholed by virtue of being mixed-race, of being English and black, and by virtue of working all over the world. I’ve enjoyed a great degree of variety in the work that I’ve done. It’s been quite unique.   

 

KW: The Nancy Lovell Question: Why do you love doing what you do?

TN: The people I meet, the stories I hear, and the experiences I get to have without actually living them for real.

 

KW: What is your guiltiest pleasure?

TN: A cigarette at the end of the day.

 

KW: Reverend Florine Thompson asks: What spiritual path do you follow?

TN: Buddhism.

 

KW: Do you ever get lonely while working on the road?

TN: Yeah, but I call my Mum, and she gets on a plane and comes to see me.

 

KW: the Zane question: Do you have any regrets?

TN: No.

 

KW: Bernadette asks: Are you still friendly with Nicole Kidman?

TN: Yes, I still see Nicole. Whenever we get together, we have nothing but good things to say to each other. We shared a very beautiful time and memory making a movie called Flirting. We were both very young, and I think there’s a real fondness that we identify with one another just because of how young we were and how much life has changed since then. So, when I see her, I feel like life is slipping back into that innocence, which is really sweet.

 

KW: Tommy asks: Is it true that you drive a Prius? If so, do you like your new car and do you think everyone should make the shift to a hybrid or electric car?

TN: Yes, I have for about three years now. Yes, I like it, but it takes a commitment to convert to living in ways which are environmentally sound.

 

KW: Reverend Thompson was wondering, if you had a choice to play the role of a famous person, who might that be.

TN: Nina Simone. I’d love to just know more about her, and a movie would be a great place to see the evolution of her life and to learn from it and to be grateful for what she was able to give the world despite having suffered so much.

KW: A famous person you already played was Condoleezza Rice. How did you prepare for that role?

TN: I went back to my Cambridge roots and did an ethnography on her. I read a lot of books, not only about her, specifically, but also about the Bush administration. And I watched snatches of her on everything from Charlie Rose to Youtube and then I channeled everything that I learned from my research into my performance on screen.  

 

KW: The Ling-Ju Yen question: What is your earliest childhood memory?

TN: Finding a diamond in a sausage.

 

KW: The Flex Alexander question: How do you get through the tough times?

TN: By remembering what I’m grateful for.

 

KW: What has been the biggest obstacle you have had to overcome?

TN: Myself.

 

KW: What advice do you have for anyone who wants to follow in your footsteps?

TN: Live in the moment.

 

KW: The Tavis Smiley question: how do you want to be remembered?

TN: You’ve been kind.

 

KW: Well, thanks for another great interview, Thandie.

TN: Thank you, Kam, this has been really interesting. Bye.

 

Movie Review: For Colored Girls by Kam Williams

 

Ms. Shange subsequently wrote the screenplay for a made-for-TV version of her opus which aired on PBS’ American Playhouse in 1982. And she also appeared in the movie version opposite Alfre Woodard, Sophie Okenedo and Lynn Whitfield.

The unenviable challenge of adapting her much-beloved production to the big screen has now fallen to Tyler Perry, a man who proves himself up to the challenge. He ostensibly began by abbreviating the original’s cumbersome, grammatically-challenged name, which only makes sense, since it had been coined back during a more loquacious era when wordy was fashionable not only in terms of movie titles (Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb) but in advertising slogans (“Vicks’ Nyquil: The nighttime, sniffling, sneezing, coughing, aching,stuffy head fever so you can rest medicine”) as well.

Next, the inventive Perry fleshed out the lead roles, while adding a number of support characters to the ensemble and updating some themes (ala AIDS and the down-low) as concessions to 21st Century cultural sensibilities. More importantly, however, he has preserved the source material’s relentlessly-harrowing tone.

Loyal Tyler Perry fans will appreciate how his enhanced plotline emulates that of his ever-popular morality plays, except for those trademark touches of humor. The stellar cast assembled to execute his vision includes Janet Jackson, Thandie Newton, Kerry Washington, Loretta Devine, Kimberly Elise, Phylicia Rashad, Macy Gray, Anika Noni Rose and Whoopi Goldberg.

The story is set in a seedy, Harlem tenement inhabited by several of the protagonists. Each, we learn, is already deeply enmeshed in some sort of family dysfunction, from promiscuous bartender Tangie (Newton) who brings home a different stud every night, to her pregnant, teenage sister (Tessa Thompson) in urgent need of an abortion, to their clueless mother (Goldberg), a hoarder caught in the clutches a religious cult. Just across the hall, lives the apartment building’s relatively-composed manager (Rashad) whose self-assured manner might be a mask.

On the floor below, we find Crystal (Elise) being battered by the unemployed, alcoholic boyfriend (Michael Ealy) she refuses to marry yet can’t summon up the gumption to dump. Then there’s Juanita (Devine), a free clinic nurse who counsels others about relationships, but remains in denial about the abysmal state of her own. Naïve dance instructor Yasmine (Rose) comes to regret accepting a date from a flirtatious stranger (Khalil Kain) she meets on the street. 

More upscale, but no less troubled are Kelly (Washington), a social worker worried about how her police officer husband (Hill Harper) will react to the news that she can’t conceive. Last but not least, there’s Jo (Jackson), a famous fashion magazine editor, whose closet-gay beau (Omari Hardwick) has been using her for a beard.

Eventually, all of the assorted melodramas serendipitously merge and resolve themselves satisfactorily right on cue for a typically-preachy, Perry denouement during which our heroines take turns expressing their resolve to rise above their overwhelming personal challenges. A fresh interpretation of For Colored Girls which puts to rest the question of whether that black feminist classic was too dated to be adapted to the screen.

All that was missing was a pistol-packing granny in drag, chirrun!

Excellent (3.5 stars)
Rated for sexuality, profanity and disturbing violence including rape.
Running time: 120 minutes
Studio: Lionsgate Films

To see a trailer for For Colored Girls, visit:
www.youtube.com/watch?v=YbklqYMaYGg